Black Myth: Wukong on Spring Festival Gala
Chinese game Black Myth: Wukong made an appearance on CCTV’s ‘Opening Spring Festival’ show, indicating potential inclusion in the 2025 Spring Festival Gala. The game’s cultural elements and music performances received high praise, suggesting growing recognition of gaming as cultural content.
The recent appearance of Black Myth: Wukong on CCTV’s “Opening Spring Festival” program marks a significant milestone in Chinese gaming history. This showcase suggests the game could potentially feature in China’s most-watched television event - the 2025 Spring Festival Gala.
The game’s presence on the show was multifaceted and thoughtfully executed. Voice actor Xiong Zhuying and motion capture performer Yan Kai delivered a compelling performance of “Yellow Wind Rises,” one of the game’s theme songs. The performance seamlessly blended traditional Shaanxi opera style with the game’s artistic elements, demonstrating how gaming content can harmonize with traditional Chinese cultural expressions.
Beyond the musical performance, the show highlighted the game’s broader cultural impact. The hosts discussed how Black Myth: Wukong has inspired domestic tourism, with players visiting the historical architecture featured in the game. This connection between digital entertainment and cultural heritage represents a new dimension in promoting Chinese culture.
The game’s soundtrack has garnered particular attention. From the majestic “Cloud Palace Swift Sound” to the emotionally resonant “Do Not Listen,” these compositions successfully merge traditional Chinese musical elements with contemporary game scoring. The music’s ability to capture both grand epic moments and subtle emotional nuances has set new standards for game soundtracks.
What makes this television appearance especially noteworthy is the unprecedented level of official recognition. CCTV, China’s national broadcaster, has featured multiple segments about the game, interviewing its creators and showcasing its cultural elements. This represents a shift in how gaming is perceived - from pure entertainment to a legitimate form of cultural expression.
The gaming industry’s growing influence in Chinese cultural discourse is evident in how Black Myth: Wukong has transcended its original medium. The game has already appeared in various CCTV programs, and its music has been adapted for different performance contexts. This mainstream acceptance indicates evolving attitudes toward gaming as a cultural force.
Should Black Myth: Wukong secure a spot in the 2025 Spring Festival Gala, it would represent more than just a gaming milestone. It would symbolize the integration of contemporary digital culture with traditional Chinese celebrations, bridging generational and cultural gaps through shared appreciation of artistic innovation.